{"id":5765,"date":"2024-11-29T22:01:29","date_gmt":"2024-11-29T22:01:29","guid":{"rendered":"https:\/\/pevermeersch.com\/?p=5765"},"modified":"2025-02-17T16:29:26","modified_gmt":"2025-02-17T16:29:26","slug":"7","status":"publish","type":"post","link":"https:\/\/pevermeersch.com\/nl\/2024\/11\/29\/7\/","title":{"rendered":"BLONDES HAVE NO SOUL"},"content":{"rendered":"<p>https:\/\/vimeo.com\/61919574<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><em>&#8220;This kind of spectacle, so original, creative, elegiac, multidisciplinary, so wholly different of contemporary dance &nbsp;and of the complete theatre history of the past centuries that another word than &#8216;dance&#8217; should be invented to describe this performance, unless &#8216;dance&#8217; comprises every truly living spectacle&#8221;.<\/em><\/p>\n<p style=\"text-align: center;\">(Jean-Gabriel NANCEY, <em>Effet d&#8217;art: nudit\u00e9, enfin!, in Danse<\/em>. <strong>European dance news (Paris)<\/strong>, n\u00b0270, 2012, p. 55)<\/p>\n<div class=\"wc-gallery\"><div class='wcflexslider-container wc-gallery-bottomspace-default wc-gallery-clear'><div id='gallery-1' class='gallery wc-gallery-captions-onhover gallery-link-post wcflexslider wcsliderauto' data-gutter-width='5' data-columns='3' data-hide-controls='false'><ul class='slides'>\n\t\t\t\t<li class='gallery-item gallery-item-position-1 gallery-item-attachment-4423 wcflex-slide-item'>\n\t\t\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t\t\t<a href=\"https:\/\/pevermeersch.com\/nl\/history\/tekeningen_0001-4\/\" target=\"_self\"><img src='https:\/\/pevermeersch.com\/wp-content\/uploads\/2021\/01\/tekeningen_0001-4.jpg' width='1560' height='2456' alt='' \/><\/a>\n\t\t\t\t\t<\/div><\/li>\n\t\t\t\t<li class='gallery-item gallery-item-position-2 gallery-item-attachment-3945 wcflex-slide-item'>\n\t\t\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t\t\t<a href=\"https:\/\/pevermeersch.com\/nl\/workshops\/principles-of-butoh\/blondes-have-no-soul-2001\/\" target=\"_self\"><img src='https:\/\/pevermeersch.com\/wp-content\/uploads\/2013\/03\/BLONDES-HAVE-NO-SOUL-2001.jpeg' width='2271' height='1819' alt='' \/><\/a>\n\t\t\t\t\t<\/div><\/li>\n\t\t\t\t<li class='gallery-item gallery-item-position-3 gallery-item-attachment-2516 wcflex-slide-item'>\n\t\t\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t\t\t<a href=\"https:\/\/pevermeersch.com\/nl\/mixed-media\/blondes-have-no-soul-dance-for-silence\/blondes-have-no-soul-flash-2012-1\/\" target=\"_self\"><img src='https:\/\/pevermeersch.com\/wp-content\/uploads\/2013\/03\/blondes-have-no-soul-flash-2012-1.jpeg' width='1280' height='720' alt='' \/><\/a>\n\t\t\t\t\t<\/div><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">Solodans voor stilte en wit,&nbsp;sinds 2001<\/p>\n<p style=\"text-align: center;\"><a class=\"fasc-button fasc-size-medium fasc-type-flat fasc-rounded-medium\" style=\"background-color: #42bf15; color: #000000;\" href=\"https:\/\/pevermeersch.com\/nl\/concept-blondes-have-no-soul\/\">CONCEPT<\/a>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<a class=\"fasc-button fasc-size-medium fasc-type-flat fasc-rounded-medium\" style=\"background-color: #42bf15; color: #000000;\" href=\"https:\/\/pevermeersch.com\/nl\/press-blondes-have-no-soul\/\">PERS<\/a>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Support for \u2018Blondes have no soul\u2019 in 2000, date of its creation<\/strong><\/p>\n<p>Kyoto Art Center: Artist in residence; Bunka-cho&nbsp; (Japanese Ministery of Culture); Flemish Ministery of Culture; City of Ghent.<\/p>\n<p><strong>Traces:<\/strong><\/p>\n<p><strong>2011<\/strong>: France: L\u2019Avant- Seine, Th\u00e9\u00e2tre de Colombes, Paris<\/p>\n<p><strong>2006<\/strong>: Belgium: CC Menen,&nbsp; CC Evergem<\/p>\n<p>Royal Museum of Fine Arts, Antwerp: Gorge(l) exhibition<\/p>\n<p><strong>2004-05<\/strong>: Spanish tour in Cadiz, Seville, Madrid, Santiago de Compostela, Valladolid<\/p>\n<p>series&nbsp; The Small House for Radical Art and ISTF \/ Ghent<\/p>\n<p><strong>2004<\/strong>: France, Paris: Th\u00e9\u00e2tre de la Cit\u00e9 Internationale&nbsp; and Th\u00e9\u00e2tre Choisy Le Roi. IFOB, series<\/p>\n<p><strong>2003<\/strong>: France, Paris: Th\u00e9\u00e2tre de la Cit\u00e9 Internationale<\/p>\n<p><strong>2002<\/strong>: Belgium \u2018Kunstencentrum Belgie\u2019, Hasselt; Po\u00ebziezomer in Watou&nbsp; (only the songs);<\/p>\n<p>Th\u00e9\u00e2tre Marni, Brussels,&nbsp; series<\/p>\n<p><strong>2001<\/strong>: creation in Kyoto Art Centre, Kyoto, and the \u2018Flanders Centre\u2019 in Osaka, series<\/p>\n<p>series&nbsp; The Small House for Radical Art and ISTF \/ Ghent<\/p>","protected":false},"excerpt":{"rendered":"<p>https:\/\/vimeo.com\/61919574 &nbsp; &#8220;This kind of spectacle, so original, creative, elegiac, multidisciplinary, so wholly different of contemporary dance &nbsp;and of the complete theatre history of the past centuries that another word &hellip; <a href=\"https:\/\/pevermeersch.com\/nl\/2024\/11\/29\/7\/\" class=\"more-link\">Lees verder <span class=\"screen-reader-text\">BLONDES HAVE NO SOUL<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":2671,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[2],"tags":[9],"class_list":["post-5765","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-salon-radical","tag-home"],"_links":{"self":[{"href":"https:\/\/pevermeersch.com\/nl\/wp-json\/wp\/v2\/posts\/5765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pevermeersch.com\/nl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pevermeersch.com\/nl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pevermeersch.com\/nl\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/pevermeersch.com\/nl\/wp-json\/wp\/v2\/comments?post=5765"}],"version-history":[{"count":4,"href":"https:\/\/pevermeersch.com\/nl\/wp-json\/wp\/v2\/posts\/5765\/revisions"}],"predecessor-version":[{"id":5970,"href":"https:\/\/pevermeersch.com\/nl\/wp-json\/wp\/v2\/posts\/5765\/revisions\/5970"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pevermeersch.com\/nl\/wp-json\/wp\/v2\/media\/2671"}],"wp:attachment":[{"href":"https:\/\/pevermeersch.com\/nl\/wp-json\/wp\/v2\/media?parent=5765"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pevermeersch.com\/nl\/wp-json\/wp\/v2\/categories?post=5765"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pevermeersch.com\/nl\/wp-json\/wp\/v2\/tags?post=5765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}