(Jean-Gabriel NANCEY, Effet d’art: nudit\u00e9, enfin!, in Danse<\/em>. European dance news (Paris)<\/strong>, n\u00b0270, 2012, p. 55)<\/p>\n <\/p>\n Solodans voor stilte en wit, sinds 2001<\/p>\n CONCEPT<\/a> PERS<\/a> <\/p>\n <\/p>\n Support for \u2018Blondes have no soul\u2019 in 2000, date of its creation<\/strong><\/p>\n Kyoto Art Center: Artist in residence; Bunka-cho (Japanese Ministery of Culture); Flemish Ministery of Culture; City of Ghent.<\/p>\n Traces:<\/strong><\/p>\n 2011<\/strong>: France: L\u2019Avant- Seine, Th\u00e9\u00e2tre de Colombes, Paris<\/p>\n 2006<\/strong>: Belgium: CC Menen, CC Evergem<\/p>\n Royal Museum of Fine Arts, Antwerp: Gorge(l) exhibition<\/p>\n 2004-05<\/strong>: Spanish tour in Cadiz, Seville, Madrid, Santiago de Compostela, Valladolid<\/p>\n series The Small House for Radical Art and ISTF \/ Ghent<\/p>\n 2004<\/strong>: France, Paris: Th\u00e9\u00e2tre de la Cit\u00e9 Internationale and Th\u00e9\u00e2tre Choisy Le Roi. IFOB, series<\/p>\n 2003<\/strong>: France, Paris: Th\u00e9\u00e2tre de la Cit\u00e9 Internationale<\/p>\n 2002<\/strong>: Belgium \u2018Kunstencentrum Belgie\u2019, Hasselt; Po\u00ebziezomer in Watou (only the songs);<\/p>\n Th\u00e9\u00e2tre Marni, Brussels, series<\/p>\n 2001<\/strong>: creation in Kyoto Art Centre, Kyoto, and the \u2018Flanders Centre\u2019 in Osaka, series<\/p>\n series The Small House for Radical Art and ISTF \/ Ghent<\/p>","protected":false},"excerpt":{"rendered":" “This kind of spectacle, so original, creative, elegiac, multidisciplinary, so wholly different of contemporary dance and of the complete theatre history of the past centuries that another word than ‘dance’ … Lees verder BLONDES HAVE NO SOUL (2001)<\/span> \n\t\t\t\t
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